The Masterpieces of George Sand,
Amandine Lucille Aurore Dupin, Baroness
Dudevant, NOW FOR THE FIRST
TIME COMPLETELY TRANSLATED
INTO ENGLISH SHE AND HE,
AND LAVINIA BY G. BURNHAM
IVES; WITH MEMOIR BY J. ALFREDBURGAN



WITH SIX PHOTOGRAVURES AFTER PAINTINGS BY J. B. GRAFF,AND PORTRAIT AFTER THE DRAWING BY COUTURE



IN ONE VOLUME



PRINTED ONLY FOR SUBSCRIBERS BY
GEORGE BARRIE & SON
PHILADELPHIA





A CORNER AT THE OPERA BALL.

Thérèse was about to retire, when she heard hername mentioned in a corner. She turned and sawthe man she had loved so well, seated between twomasked damsels.




CONTENTS

MEMOIR
SHE AND HE
TO MADEMOISELLE JACQUES
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
LAVINIA




LIST OF ILLUSTRATIONS
MEMOIR
SHE AND HE
LAVINIA

A CORNER AT THE OPERA BALL.
PORTRAIT OF GEORGE SAND.
LAURENT PAINTS PALMER'S PORTRAIT.
THEIR FIRST SUPPER.
A FANTASTIC VISION.
THE SEPARATION.
LIONEL SURPRISES LAVINIA.





GEORGE SAND.

After the Crayon Portrait by Couture, in the MuséeCarnavalet, Paris.




GEORGE SAND



MEMOIR

There is a natural desire to know something of the parentage and birthof renowned authors, and to learn something that may throw light on theformative influences which have operated in producing the works thathave rendered them famous. In the case of George Sand, whose natureoffers contrasts as striking as were the social conditions of herparent

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