Transcriber's note

Minor punctuation errors have been changed without notice. Printererrors have been changed, and they are indicated witha mouse-hoverand listed at theend of this book.


CONVERSATION

What to Say and How to Say It


BY

MARY GREER CONKLIN


FUNK & WAGNALLS COMPANY

NEW YORK AND LONDON

1912


Copyright, 1912, by

FUNK & WAGNALLS COMPANY

All rights reserved for all countries

[Printed in the United States of America]

Published November, 1912


IN LOVING MEMORY

TO

A. E. C.

WHOSE DELIGHTFUL CONVERSATION STIMULATED MY YOUTH

AND

IN GRATEFUL ACKNOWLEDGMENT

OF THEIR SEVERE CRITICISM AND FRIENDLY AID

TO

CHARLES TOWNSEND COPELAND

ASSISTANT PROFESSOR OF ENGLISH AT HARVARD COLLEGE

AND

FRANK WILSON CHENEY HERSEY

INSTRUCTOR IN ENGLISH AT HARVARD COLLEGE


[7]

PREFACE

"The best book that was ever written upon good breeding," said Dr.Johnson to Boswell, "the best book, I tell you, Il Cortegiano byCastiglione, grew up at the little court of Urbino, and you should readit." Il Cortegiano was first published by the Aldine Press at Venice,in 1528. Before the close of the century more than one hundred editionssaw the light; French, Spanish, English, and German versions followedeach other in rapid succession, and the Cortegiano was universallyacclaimed as the most popular prose work of the Italian Renaissance."Have you read Castiglione's Cortegiano?"[8] asks the courtierMalpiglio, in Tasso's dialog. "The beauty of the book is such that itdeserves to be read in all ages; as long as courts endure, as long asprinces reign and knights and ladies meet, as long as valor and courtesyhold a place in our hearts, the name of Castiglione will be held inhonor."

In his Book of the Courtier, Castiglione said very little aboutperfection of speech; he discust only the standard of literary languageand the prescribed limits of the "vulgar tongue," or the Italian inwhich Petrarch and Boccaccio had written. What he says about grace,however, applies also to conversation: "I say that in everything it isso hard to know the true perfection as to be well-nigh impossible; andthis because of the variety of opinions. Thus there are many who willlike a man who speaks much, and will call him pleasing;[9] some willprefer modesty; some others an active and restless man; still others onewho shows calmness and deliberation in everything; and so every manpraises or decries according to his mind, always clothing vice with thename of its kindred virtue, or virtue with the name of its kindred vice;for example, calling an impudent man frank, a modest man dull, anignorant man good, a knave discreet, and so in all things else. Yet Ibelieve that there exists in everything its own perfection, althoconcealed; and that this can be determined through rational discussionby any having knowledge of the thing in hand."

If this superb courtie

...

BU KİTABI OKUMAK İÇİN ÜYE OLUN VEYA GİRİŞ YAPIN!


Sitemize Üyelik ÜCRETSİZDİR!