E-text prepared by Richard Lammers, Stephanie Bailey, and the Project
Gutenberg Online Distributed Proofreading Team from images generously madeavailable by the Bibliothèque nationale de France (BnF/Gallica) athttp://gallica.bnf.fr
by
Author of Letters Of A Diplomat's Wife and Italian Letters ofa Diplomat's Wife
Illustrated
1909
[Illustration: A country wedding]
[Illustration: A fine old château.]
My first experience of country life in France, about thirty years ago,was in a fine old château standing high in pretty, undulating, woodedcountry close to the forest of Villers-Cotterets, and overlooking thegreat plains of the Oise—big green fields stretching away to thesky-line, broken occasionally by little clumps of wood, with steeplesrising out of the green, marking the villages and hamlets which, atintervals, are scattered over the plains, and in the distance the blueline of the forest. The château was a long, perfectly simple, whitestone building. When I first saw it, one bright November afternoon, Isaid to my husband as we drove up, "What a charming old wooden house!"which remark so astonished him that he could hardly explain that itwas all stone, and that no big houses (nor small, either) in Francewere built of wood. I, having been born in a large white wooden housein America, couldn't understand why he was so horrified at myignorance of French architecture. It was a fine old house, high in thecentre, with a lower wing on each side. There were threedrawing-rooms, a library, billiard-room, and dining-room on the groundfloor. The large drawing-room, where we always sat, ran straightthrough the house, with glass doors opening out on the lawn on theentrance side and on the other into a long gallery which ran almostthe whole length of the house. It was always filled with plants andflowers, open in summer, with awnings to keep out the sun; shut inwinter with glass windows, and warmed by one of the three calorifèresof the house. In front of the gallery the lawn sloped down to thew