TRANSCRIBER’S NOTE

Footnote anchors are denoted by [number],and the numbering restarts at [1] with each new chapter. These footnotes for the main text havebeen kept in the section called ‘NOTES’ at the end of the text, asin the original book. Some tables in the Appendices have footnotes,denoted by (a) (b) etc, and these have been kept at the bottom ofthe relevant table, as they were in the original book.

The cover image was created by the transcriberand is placed in the public domain.

Some minor changes to the text are noted at the end of the book.These are indicated by a dotted gray underline.


SHAKESPEARE AT THE GLOBE


Shakespeare
at the Globe

1599-1609

BERNARD BECKERMAN

THE MACMILLAN COMPANY.    1962
New York


© Bernard Beckerman 1962

All rights reserved—no part of this book may be reproduced in anyform without permission in writing from the publisher, except bya reviewer who wishes to quote brief passages in connection with areview written for inclusion in magazine or newspaper.

First Printing

The Macmillan Company, New York
Brett-Macmillan Ltd., Galt, Ontario

Printed in the United States of America

Library of Congress catalog card number: 62-7159


[Pg v]

ACKNOWLEDGMENTS

My debts of gratitude, which this acknowledgment can hardlyhope to pay, are especially due to Professors Oscar J. Campbell,S. F. Johnson, and Dr. John Cranford Adams, President ofHofstra College. To detail the extent of Professor Campbell’sassistance would be futile. I merely count myself fortunate inhaving enjoyed his guidance and encouragement. From ProfessorJohnson this study received a careful and perceptive scrutiny,to the excellence of which I trust these pages testify. In supportingmy work as Director of the Hofstra College ShakespeareFestival, Dr. Adams provided me with the opportunity not onlyto explore the authentic staging of Shakespeare’s plays but alsoto draw upon his knowledge and advice. Although my presentviews of Shakespearean staging differ from his, nonetheless theyowe much to the initial stimulus he gave and the rigorous scholarshiphe exemplified. In addition, I have benefited from theindulgence of various friends and scholars. Dr. Raymond W.Short read and criticized the original draft of the chapter ondramaturgy. Dr. James G. McManaway and Irwin Smith offeredvaluable suggestions for the entire manuscript, and Mr. Smith,together with Dr. Robert De Maria, Howard Siegman, and mywife, Gloria, has assisted me in the final preparation of the book.


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