Note: | Images of the original pages are available through Internet Archive/American Libraries. See https://archive.org/details/lear00ofsteppesetcturgrich |
THE NOVELS OF
IVAN TURGENEV
THE NOVELS OF
IVAN TURGENEV
I. | RUDIN. |
II. | A HOUSE OF GENTLEFOLK. |
III. | ON THE EVE. |
IV. | FATHERS AND CHILDREN. |
V. | SMOKE. |
VI. & VII. | VIRGIN SOIL. 2 vols. |
VIII. & IX. | A SPORTSMAN’S SKETCHES. 2 vols. |
X. | DREAM TALES AND PROSE POEMS. |
XI. | THE TORRENTS OF SPRING, ETC. |
XII. | A LEAR OF THE STEPPES. |
XIII. | THE DIARY OF A SUPERFLUOUS MAN, ETC. |
XIV. | A DESPERATE CHARACTER, ETC. |
XV. | THE JEW, ETC. |
NEW YORK: THE MACMILLAN COMPANY
LONDON: WILLIAM HEINEMANN
THE NOVELS OF IVAN TURGENEV
ILLUSTRATED EDITION
TRANSLATED FROM THE RUSSIAN
By
CONSTANCE GARNETT
NEW YORK: THE MACMILLAN COMPANY
LONDON: WILLIAM HEINEMANN
MCMVI
Printed in England
All rights reserved
An examination of A Lear of the Steppes is ofespecial interest to authors, as the story is soexquisite in its structure, so overwhelming inits effects, that it exposes the artificiality of thegreat majority of the clever works of art infiction. A Lear of the Steppes is great in artbecause it is a living organic whole, springingfrom the deep roots of life itself; and theinnumerable works of art that are fabricatedand pasted together from an ingenious plan—worksthat do not grow from the inevitabilityof things—appear at once insignificant or falsein comparison.
In examining the art, the artist