Transcriber’s Note

Errors and inconsistencies in punctuation have been attributed toprinter’s errors, and corrected.

The Greek circumflex, which appears in the text as an inverted breve(^), is rendered here using a tilde (~).

Please note the publisher’s decision to place footnotes at the bottomof each page, as well as the author’s note on this topic in thePreface. In keeping with his intent, footnotes have been moved to theend of this file.

The cover image has been modified to include the volume number, and is placedin the public domain.

Please consult the notes at the bottom of this text for more detailson the handling of textual issues.

WORKS
BY
ERNST ECKSTEIN.

Hertha, translated by Mrs. Edward Hamilton Bell, in one volume. Paper covers. 50 cents. Cloth binding. 75 cents.

Quintus Claudius, translated by Clara Bell, in two volumes. Paper covers. $1 00. Cloth binding. $1.75 per set.

Prusias, translated by Clara Bell, in two volumes. Paper covers, $1.00. Cloth binding, $1.75 per set.

Nero, translated by Clara Bell, and Mary J. Safford, in two volumes. Paper covers, 80 cents. Cloth binding, $1.50 per set.

The Will, translated by Clara Bell, in two volumes. Paper covers, $1.00. Cloth binding, $1.75 per set.

Aphrodite, translated by Mary J. Safford, in one volume. Paper cover, 50 cents. Cloth binding, 90 cents.

The Chaldean Magician, translated by Mary J. Safford, in one volume. Paper covers, 25 cents. Cloth binding, 50 cents.


ECKSTEIN’S ROMANCES,

11 volumes, cloth binding, in box, $8.75

Quintus Claudius

A ROMANCE OF IMPERIAL ROME

BY

ERNST ECKSTEIN

From the German by Clara Bell

IN TWO VOLUMES—VOL. II.

REVISED AND CORRECTED IN THE UNITED STATES

NEW YORK

GEO. GOTTSBERGER PECK, Publisher

11 Murray Street

1893.

Copyright, 1882, by William S. Gottsberger

THIS TRANSLATION WAS MADE EXPRESSLY FOR THE PUBLISHER


QUINTUS CLAUDIUS.


CHAPTER I.

The same day, which saw our friends in the country house at Ostia, andthe bond of love sealed between Aurelius and Claudia, had been one ofinfinite agitation and annoyance to the Emperor Domitian.

The very first thing in the morning came vexatious tidings fromthe town and provinces. At the earliest dawn inscriptions had beendiscovered on several of the fountains, columns and triumphal arches,of which the sting was more or less covertly directed against thePalatium and the person of Caesar. “Enough!” was attached to the baseof a portrait bust.[1] “The fruit is ripe!” was legible on the archof Drusus. In the fourth, eighth and nin

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