E-text prepared by Jonathan Ingram
and the Project Gutenberg Online Distributed Proofreading Team






THE ART OF THE MOVING PICTURE


INTENDED, FIRST OF ALL, FOR THE NEW ART MUSEUMS SPRINGING UP ALL OVER THECOUNTRY. BUT THE BOOK IS FOR OUR UNIVERSITIES AND INSTITUTIONS OFLEARNING. IT CONTAINS AN APPEAL TO OUR WHOLE CRITICAL AND LITERARY WORLD,AND TO OUR CREATORS OF SCULPTURE, ARCHITECTURE, PAINTING, AND THEAMERICAN CITIES THEY ARE BUILDING. BEING THE 1922 REVISION OF THE BOOKFIRST ISSUED IN 1915, AND BEGINNING WITH AN AMPLE DISCOURSE ON THE GREATNEW PROSPECTS OF 1922


By VACHEL LINDSAY

"Hail, all ye gods in the house of the soul, who weigh Heaven and
Earth in a balance, and who give celestial food."

From the book of the scribe Ani, translated from the original Egyptianhieroglyphics by Professor E.A. Wallis Budge.


NEW YORK

Dedicated

TO

GEORGE MATHER RICHARDS

IN MEMORY OF

THE ART STUDENT DAYS WE SPENT TOGETHER WHEN

THE METROPOLITAN MUSEUM WAS

OUR PICTURE-DRAMA


TABLE OF CONTENTS.
                    A WORD FROM THE DIRECTOR OF THE DENVER ART ASSOCIATION
BOOK ITHE GENERAL PHOTOPLAY SITUATION INAMERICA, JANUARY 1, 1922, ESPECIALLY ASVIEWED FROM THE HEIGHTS OF THE CIVICCENTRE AT DENVER, COLORADO, AND THEDENVER ART MUSEUM, WHICH IS TO BE ALEADING FEATURE OF THIS CIVIC CENTRE
BOOK IITHE OUTLINE WHICH HAS BEEN ACCEPTED ASTHE BASIS OF PHOTOPLAY CRITICISM INAMERICA, BOTH IN THE STUDIOS OF THELOS ANGELES REGION, AND ALL THE SERIOUSCRITICISM WHICH HAS APPEARED IN THEDAILY PRESS AND THE MAGAZINES
I. THE POINT OF VIEW
II. THE PHOTOPLAY OF ACTION
III. THE INTIMATE PHOTOPLAY
IV. THE MOTION PICTURE OF FAIRY SPLENDOR
V. THE PICTURE OF CROWD SPLENDOR
VI. THE PICTURE OF PATRIOTIC SPLENDOR
VII. THE PICTURE OF RELIGIOUS SPLENDOR
VIII. SCULPTURE-IN-MOTION
IX. PAINTING-IN-MOTION
X. FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
XI. ARCHITE
...

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