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LECTURES ON DRAMATIC ART AND LITERATURE

BYAUGUST WILHELM SCHLEGEL.

CONTENTS.

Preface of the Translator.

Author's Preface.

Memoir of the Life of Augustus William Schlegel.

LECTURE I.

Introduction—Spirit of True Criticism—Difference of Taste between the
Ancients and Moderns—Classical and Romantic Poetry and Art—Division of
Dramatic Literature; the Ancients, their Imitators, and the Romantic Poets.

LECTURE II.

Definition of the Drama—View of the Theatres of all Nations—Theatrical
Effect—Importance of the Stage—Principal Species of the Drama.

LECTURE III.

Essence of Tragedy and Comedy—Earnestness and Sport—How far it ispossible to become acquainted with the Ancients without knowing OriginalLanguages—Winkelmann.

LECTURE IV.

Structure of the Stage among the Greeks—Their Acting—Use of Masks—Falsecomparison of Ancient Tragedy to the Opera—Tragical Lyric Poetry.

LECTURE V.

Essence of the Greek Tragedies—Ideality of the Representation—Idea of
Fate—Source of the Pleasure derived from Tragical Representations—Import
of the Chorus—The materials of Greek Tragedy derived from Mythology—
Comparison with the Plastic Arts.

LECTURE VI.

Progress of the Tragic Art among the Greeks—Various styles of Tragic Art
—Aeschylus—Connexion in a Trilogy of Aeschylus—His remaining Works.

LECTURE VII.

Life and Political Character of Sophocles—Character of his different
Tragedies.

LECTURE VIII.

Euripides—His Merits and Defects—Decline of Tragic Poetry through him.

LECTURE IX.

Comparison between the Choephorae of Aeschylus, the Electra of
Sophocles, and that of Euripides.

LECTURE X.

Character of the remaining Works of Euripides—The Satirical Drama—
Alexandrian Tragic Poets.

LECTURE XI.

The Old Comedy proved to be completely a contrast to Tragedy—Parody—
Ideality of Comedy the reverse of that of Tragedy—Mirthful Caprice—
Allegoric and Political Signification—The Chorus and its Parabases.

LECTURE XII.

Aristophanes—His Character as an Artist—Description and Character of hisremaining Works—A Scene, translated from

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