The Augustan Reprint Society
THE
HARLOT'S PROGRESS
THEOPHILUS CIBBER
(1733)
and
THE
RAKE'S PROGRESS
(MS., Ca. 1778-1780)
Introduction by
Mary F. Klinger
PUBLICATION NUMBER 181
WILLIAM ANDREWS CLARK MEMORIAL LIBRARY
University of California, Los Angeles
1977
GENERAL EDITORS
ADVISORY EDITORS
CORRESPONDING SECRETARY
EDITORIAL ASSISTANT
The prints and engraved sequences of William Hogarth(1697-1764) inspired a wide range of dramatic entertainmentsthroughout the eighteenth century. The types include comedyof manners (The Clandestine Marriage, 1766), burletta withtableau vivant (Ut Pictura Poesis! 1789), specialty act (AModern Midnight Conversation, 1742), cantata (The RoastBeef of Old England, ca. 1759), ballad opera (The Decoy),[1]pantomime (The Jew Decoy'd and The Harlot's Progress, 1733),and a morality ballad opera (The Rake's Progress, ca. 1778-1780).Two of these are reprinted here. Theophilus Cibber's"Grotesque Pantomime Entertainment" of Hogarth's six-sceneseries "A Harlot's Progress" (1732), entitled THE HARLOT'SPROGRESS; or The Ridotto Al'Fresco," was first published 31March 1733 for its Drury Lane debut as an afterpiece.[2] Lessfamiliar is the anonymous "Dramatised Version" of Hogarth'seight-print sequence "A Rake's Progress" (1735), BritishLibrary Add. MS. 25997, entitled The Rake's Progress.[3]
...